Like a funhouse hall of mirrors, this play-within-a-play reveals simultaneous, overlapping realities. In The Slow Motion Carnival one story's in a kitchen, another in a living room and one in the void. Romances blossom and disintegrate. The endless dance of the universe begins as it ends. Inspired by Jean-Luc Godard's Contempt and August Strindberg's MISS JULIE, the latest theatrical offering from Red Eye contemplates creativity, relationships and the nature of reality.
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The Slow Motion Carnival Reviews
Twin Cities Pioneer Press - Recommended
"...If dancing is generally a metaphor for sex, then the manic finale is probably intended to back up another member of this gifted ensemble's statement that relationships are hard because everyone at least thinks about the possibility of infidelity. Or maybe the dancing, like this smart and witty show itself, is just meant as further proof that "all the best things happen in the dark.""
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