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  The Sorcerer's Apprentice at Open Eye Figure Theatre

The Sorcerer's Apprentice

Open Eye Figure Theatre
506 E. 24th St. Minneapolis

Open Eye adapts The Sorcerer's Apprentice for the puppet stage in a look at youth and aging, the allure of power, and the beauty of a life well lived. A world premiere, this is the first full-length puppet show conceived, written, designed and directed by Michael Sommers for the Open Eye main stage since the theatre's inaugural opening production of A Prelude to Faust in 2007. The original score is composed by Eric Jensen. Puppeteers include Open Eye veteran, Kyle Loven, and Open Eye Artistic Associates, Liz Schachterle and Justin Spooner.

Thru - Mar 4, 2012



Price: $10-$15

Box Office: 612-874-6338

www.openeyetheatre.org



  The Sorcerer's Apprentice Reviews

Twin Cities Daily Planet - Somewhat Recommended

"... Apprentice's visual delights and richness of tone are more than sufficient to strongly recommend the show, but it's less successful from a narrative standpoint. The story is episodic and choppy, and much of the humor feels awkwardly inserted rather than authentic to the characters. Though Eric Jensen's score (played live by a four-member ensemble) is moody and effective, the show's one song is not great."
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Jay Gabler


Aisle Say Twin Cities - Recommended

"... At the end of the show, the puppeteers put down their marionettes and came out on stage for a well-deserved bow. They looked huge, towering over the world that the marionettes had just inhabited. It’s not that puppeteers Laura Abend, Kyle Loven, Liz Schachterle, and Justin Spooner are particularly tall people. It’s that the show had trained me to see the marionettes’ size and proportions as a kind of norm. The fact that I experienced these artists as disproportionately tall, as literal giants, is a testament to the work’s success. The Sorcerer’s Apprentice establishes a world where rules of size and space work differently from our own. In so doing, the production does not just show the story of an aging sorcerer and his unwitting new apprentice, it teaches us how to see it."
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Anna Rosensweig



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